Jebalo sve kakav film, Christopher Nolan snimi i svaki puta je to neki spektakl
a ja ostanem neimpresioniran. Morao sam pogledati jer ga hvale a jedva pohvataš radnju.

Tenet (2020)

https://www.imdb.com/title/tt6723592/

The Mole: Undercover in North Korea is a 2020 documentary miniseries written and directed by Mads Brügger.

The series follows Ulrich Larsen, called "the Mole", a former chef living on benefits who spends 10 years infiltrating the Korean Friendship Association (KFA). He quickly rises through the ranks and gains the trust of KFA leader Alejandro Cao de Benós from Spain. Cao de Benós tells the Mole that he is looking for possible investors that are willing to invest in North Korea, despite sanctions against the country. Brügger decides to inject into the story a "Mr. James" (Jim Latrache-Qvortrup), pretending to be a possible investor. After a meeting with Cao de Benós about possible sale of drugs and weapons from North Korea, the Mole and Mr. James travel to North Korea, where they sign a contract with North Korea to produce drugs and weapons in another country. Mr. James meets the North Koreans officials again in Uganda, where they discuss buying an island in Lake Victoria to construct an underground drugs and weapons manufactory, under the disguise of establishing a luxury hotel.

Alejandro Cao de Benós de Les y Pérez (born 1974) is a Spanish political activist with close relations with North Korea. He is a Special Representative of the Foreign Ministry of North Korea. He is, according to himself, also the Special Delegate of North Korea's Committee for Cultural Relations with Foreign Countries.

Cao de Benós comes from a Spanish noble family. His paternal ancestors were the barons of Les, marquesses of Rosalmonte and counts of Arjelejo, Grandees belonging to the highest-ranking members of the Spanish nobility, who were linked for centuries to the Spanish Army and Navy. Many of them were defenders of Carlism and Francoism. Although Cao de Benós's grandfather was born rich, he lost his inheritance and ended up working as a guard for Repsol-Butano.

Africa Addio (also known as Africa: Blood and Guts in the United States and Farewell Africa in the United Kingdom) is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco Prosperi with music by Riz Ortolani. The film is about the end of the colonial era in Africa. The film was shot over a period of three years by Jacopetti and Prosperi.

The film includes footage of the Zanzibar revolution, which included the massacre of 1964, which claimed the lives of approximately 5,000 Arabs[2] (estimates range up to 20,000 in the aftermath), as well as of the aftermath of the Mau Mau Uprising in Kenya.

Africa Addio (also known as Africa: Blood and Guts in the United States and Farewell Africa in the United Kingdom) is a 1966 Italian mondo documentary film co-directed, co-edited and co-written by Gualtiero Jacopetti and Franco Prosperi with music by Riz Ortolani. The film is about the end of the colonial era in Africa. The film was shot over a period of three years by Jacopetti and Prosperi.

The film includes footage of the Zanzibar revolution, which included the massacre of 1964, which claimed the lives of approximately 5,000 Arabs[2] (estimates range up to 20,000 in the aftermath), as well as of the aftermath of the Mau Mau Uprising in Kenya.

uzbudljiv film

Može se pogledati kao i bijeg iz Alcatraza samo treba ignorirati političku pozadinu filma.
Gledao sam kao čisto akcijski film i bio mi je ok.

Ne znam što bih rekao o ovom filmu...

ovaj trenutno na hrt1 je filmcina, ne znam kako sam gha propustio

Autistični beta Danac koji se preko udruge obožavatelja Sjeverne Koreje uspio infiltrirati u društvo i tajno snimiti dokumentarac o tome kako funkcioniraju tamo.

Vidi se početak PC-ja. Dok Afrikanci nemilosrdno ubijaju Arape ovi nekako uspiju okriviti rasizam koji su širili bijeli kolonizatori. Jer zašto ne...

Quaker culture does provide a sober, tolerant base for an industrial culture: it attempts to cut away cruelty – for example, a humane “penitentiary” to house criminals rather than a dungeon was originally a Quaker concept. Quakers stand for peace, tolerance, and belief in the goodness of man. Their ideas of religious liberty are the envy of the world, and Quaker culture continues to influence American Christianity to a high degree. Any denomination which believes that “God is love” is influenced by Quaker ideas. It is not an exaggeration to state that the myriad of Protestant sects which have and do influence American culture exist within a tolerant, cooperative Quaker framework.

However, the problems with Quakerism deserve further remarks. As mentioned earlier, Quaker-style Christianity really only works within a close-knit ethnic group, in this case northwestern Europeans. While there have been some (mostly symbolic) conversions from other races, it has always been essentially a white thing. Additionally, protecting themselves in a racial conflict is arguably somewhat beyond Quaker capabilities.

The Midlands cultural area extended from its origins along the Delaware into western Pennsylvania, and experienced fewer Indian troubles than other European colonies in North America, but racial problems always eventually arose. During the French and Indian War (1754-1763) and following Pontiac’s Rebellion (1763), the Quaker government of Pennsylvania got its overdue race war. The first to attack were the formerly peaceful Delaware Indians. The Quakers had a difficult time coming to grips with the crisis.

Quaker politicians resigned in a flurry of empty virtue-signaling rather than vote for military appropriations, refused to fortify the Delaware against French pirates, and had a tough time figuring out how to help the western pioneers in Pennsylvania when dealing with ferocious Indian attacks.